This section presents the literary works developed within Ochoa Literature,
organised according to narrative form, audience, and methodological approach.
Literary Narratives
Aman-Yupanqui, el niño del pacto
Form: Symbolic narrative grounded in literary fiction and reflective storytelling
Focus: Intercultural encounter, cultural memory, and ethical coexistence
Audience: General readers, educators, and readers in intercultural and humanities contexts
Access: Open access publication available via Zenodo
Nina y la colada morada
A poetic legend rooted in Ecuadorian tradition, where food, ritual, and memory converge. The narrative reimagines collective remembrance through symbolic journey and communal practice.
Form: Poetic legend and symbolic narrative
Focus: Ritual, food culture, collective memory, and transmission of tradition
Audience: General readers, educational contexts, and cultural studies audiences
Access: Open access publication available via Zenodo
La leyenda de la fanesca
Form: Symbolic narrative and cultural legend
Focus: Communal memory, ritual practice, and shared cultural identity
Audience: General readers, educators, and readers interested in cultural heritage
Access: Open access publication available via Zenodo
Fables & Children’s Literature
Neko y el corazón de la selva
Form: Symbolic fable and children’s literature
Focus: Learning, loss, transformation, and relationship with the natural world
Audience: Children, families, educators, and intergenerational readers
Access: Open access publication available via Zenodo
Kuntur, guardián del corazón de la selva
Form: Symbolic fable and children’s literature
Focus: Learning, loss, transformation, and relationship with the natural world
Audience: Children, families, educators, and intergenerational readers
Access: Open access publication available via Zenodo
Narrative Nonfiction
Treinta días en el corazón de Silesia
A narrative nonfiction work combining observation, memory, and reflection.
The text examines place, displacement, and cultural encounter through personal and documentary perspectives.
Form: Narrative nonfiction and reflective prose
Focus: Place, displacement, cultural encounter, and lived experience
Audience: General readers, academic audiences, and readers interested in cultural reflection
Access: Open access publication available via Zenodo
